December 1, 2011

Paper_pleasures
Love of paper unites this semester's book arts students, all of whom are racing to finish their magnum opus-- a twenty-signature book sewn on cords with leather spine and hand decorated paper covers. Here is a peek at how they are doing it.

 

Amber Chamberlain makes vibrant decorated paper using a pastepaper technique. One of these patterns will grace the cover of her cord sewn book.

Slide1

 

The book lab is a busy place. Kara Page uses the finishing press to round the spine of her text block. That cheerful smile hides the intense frustration such an operation can ignite.

Img_4766

 

Once the spine is rounded it must be backed-- a difficult procedure which Steven Talley tackles with optimism.

Img_4743

Img_4745

 

In order to protect the leather spine, a sturdy "headband" must be sewn along the top of the text block. Eric Griffin accomplishes this delicate task by tying two contrasting colors of silk thread around a leather core.

Img_4760

Img_4754

Steven's finished book.

Img_4825

 

Cord sewn books with leather spines and hand decorated paper. Beginning with the front book lying down and continuing clockwise: Sandra Roberts, Anneka Olson, Amanda Cowan, and Allison Walker

4_books

 

 

 

Posted by svuartprogram
 

October 2011

NYC Art & Music This fall's New York trip is lead by Professors Clayne Robison and Doug Himes. Our aim is to experience some of the best art and music New York offers.

Img_4555
Manhattan morning from our hotel in Queens.


1
We pause near Central Park to talk about the park's creation. Professor Robison gives an impromptu lecture on the opera we are about to see.


5
The Metropolitan Opera at Lincoln Center. We just attended a performance of Rossini's The Barber of Seville, have changed, and are ready to explore the town.

 

Mao
Whitney Reed is dwarfed beside Warhol's Mao at the MoMA.

 

Slide1
Zach and Sandra explore the Cloisters-- the Metropolitan's medieval collection.

 

Posted by svuartprogram
 

May 2011

Images of Italy Students explore Italy with art professors Barbara Crawford, Doug Himes and education specialist Professor Karen Walker. 

Dscf1025

Photo by Jasmin Johnson

 

Here we post some of the best photographs from the journaling class Art of theTravel Journal. Students were expected to take at least 100 photographs each day, in addition to making careful written commentaries in their journal and recording their experiences visually through drawing.


Dscf0749

Jasmin Johnson

 

Img_5655

Kristen Fuentes

 

Italy1_274

Amanda Otto

 

Dscf0961

Megan Blackham

 

Dsc_0025

Lindsey Morgan

 

Spello5

Mary Theresa Johnson

 

Img_4836

MaKenna Blaser

 

Italy_2011_374

Lindsey Morgan

 

Dsc_0821
Joni Painter

Posted by svuartprogram
 

April 20, 2011

Senior Show 2011 opened last Friday at the Fawson House. Here we post samples of work and comments about the work by the artists. The show will be open from 12:00 to 6:00 Monday through Saturday until April 30. 


Slide3

The creation of art is rooted in emotion. I wanted the emotional aspect of my personality to become the inspiration for my pieces, some of which are based on very personal feelings I have had.  


Bridgman
Slide5

My senior show is a contemporary interpretation of the classic tale of Little Red Riding Hood. I decided to use beautiful, rich colors and a moody, haunting backdrop that hopefully helps my audience feel as if they are actually part of the story. 

 


Conrad
Slide2
This exhibit was an opportunity for me to refute my notion of realism as the ideal, perfect art form-- a notion which appealed to my perfectionist self. As I worked to dispel my self- created perfectionist myth, I used non-objective art as the vehicle of my exploration as an imperfect but successful and beautiful human being. 

 


Flood

Brian Flood

 I view my life through a viewfinder.  When I look at the world around me, I don't see colors, I don't see things and I don't see people.  I see shapes, I see lines, I see degrees of angles.  I see past the surface of what is in focus.  My show, Simple Studies of Black & White, is a series of photographs taken with a vintage 4x5 large fomat camera of ordinary organic materials that have been set to create a window that allows the viewer to ask simple questions.


Fuentes
Kristen Fuentes


Himes
Slide07

 

Inspiration for my paintings comes from my travels in England and from the poetry of William Blake, especially his poem entitled “Jerusalem.” My technique and style are influenced by Paul Klee. I want to provide my viewers with a rich aesthetic experience.


 

Hinckley
Hannah Hinckley

I enjoy exploring what differentiates one person from another and how that affects relationships. My most concrete goal is to be able to communicate my ideas visually.

 


Slide11

My purpose is to explore the importance and mystery of sight as a unique human characteristic. I want to express the physical, mental, and spiritual aspects of vision in mixed media drawings.

 


Slide4

Scott Adams once said, “Creativity is allowing yourself to make mistakes.  Art is knowing which ones to keep.”  Art for me is summed up in this idea.  It is a growing process that will continue throughout my life as I continue to learn and grow.  My show was a small beginning, a process I am excited to continue for the rest of my life. 

 

 

 

 

 

 

Slide9

Deconstructing books into sculptural collage separates the words from the book’s artistic and sentimental value. This work is based on a book I found that had a personalized inscription. I was attracted to the depth of feeling in the inscription and the apparent casualness with which the book was discarded.

 

Slide4
My paintings employ a non-objective style influenced by artists such as Mark Rothko and Cy Twombly. I have painted thoughts of redemption, and invite viewers to explore their own thoughts and feelings on the subject. 

 

 


Slide8
I chose to work with semi-abstract designs in order to make interpretation less literal. The prints in my show became landscapes, each symbolic of the Lord's strength within marriage. 

 

 

 

Slide10

In some ways, my family is similar to monotypes. Monotypes can be colorful or dark. They are messy and, most importantly, each print is an individual. I feel that using monotype prints is the best way to portray my family because it is such an expressive medium. I try to convey my love for my family and monotypes by creating images that represent my family members.

 

 


Yates
Slide02

I worked from memory which gave me a new perspective on the impressions and experiences I gathered of my travels around the world. These places I visited have captured my eye, mind, heart and soul. I am “a part of all that I have met.” I have made discoveries through painting with oil.  

 


 

Posted by svuartprogram
 

April 16, 2011    

Art major Kelsey Burton's

Photo Essayoffers a visual description of the arts at Southern Virginia. 

Kelsey's aim was specific--

Slide1

 

Slide1

Slide2

Slide3

Slide4
Slide5
Slide6
Slide08
Slide09
Slide10
Slide11
Slide12
Slide13

Posted by svuartprogram
 

 

 

 

 

 

 

 


 

Posted by svuartprogram
 

The Printmaker's Art

In a world where countless images barrage us every day it is easy to forget the origin of modern image duplication: printmaking. At Southern Virginia students learn the basics of  relief and intaglio printmaking, and find in these traditional, exacting techniques rich opportunities for creative expression. 


Slide1

Tara Phillips  Trojan Women  relief print  8" x 10"

Slide2
Here's how:  My two-run linoleum relief print began as a “key image,” in which I worked out the composition. In the second block, I worked out a single color composition to augment the key image. I printed the color block first, then the black block (the key image) over the top of it. 

Slide8

Cowan1

Amanda Cowan  Solutions  etching/aquatint  4" x 5.75" 

Slide1

Slide2
Slide3
Slide8
Img_4889
Ashlei Wilson  Landscape  monotype  11" x 15"

Slide7
 
Slide8
Gallery
Img_4902
Ben Carlsen  Jim  monotype  11" x 15"
Slide8
Moorep
Paul Moore  Superhero  reduction linoleum print  10" x 15"
Slide8
Img_4855
Colleen Moore  Untitled  monotype  11" x 15"
Slide8
100_5832
         Khiah Smith  Khiah Larue  wood block print  18" x 20"


 

Posted by svuartprogram
 

Southern Virginia University

Art Program

A quick overview.

Img_0584
Southern Virginia University's art program is housed mainly in the Tucson House, which was purchased by the university's president in the 1940's. The most notable resident of the house was internationaly renowned painter Cy Twombly, who lived in the house while he taught art classes here. Coursework in the art program provides students with a wide range of artistic experiences, including but not limited to the following areas:

Slide1

 

Posted by svuartprogram
 


Southern Virginia students and faculty help

Fulfill The Vision.

Providing enriching cultural experiences is part of the mission of the Washington D.C. temple visitor center. This includes a juried invitational for visual arts mounted every two or three years. The 2011 exhibit, entitled Fulfill The Vision, attracted work from a wide variety of genres and artists, including students from Southern Virginia’s upper division oil painting class. Professor Doug Himes challenged students to work on a larger scale and create images that would distill their unique approach to the invitational’s theme. Five students were later juried into the exhibit. Himes also submitted a piece that was accepted.

 

Img_1261
Beauty For Ashes   oil on canvas  4' x 3'

Slide1

We were assigned to copy a masterwork using grisaille.   I chose the detail of Mary Magdalene in mourning from Caravaggio’s Death of the Virgin.  I had just lost my mother, and when I saw the painting I knew exactly how Mary Magdalene felt.  In a way I felt that I was painting my own grief. As I finished the copy, it seemed emotionally incomplete somehow.  I realized that grief was only half of the reality and that hope was every bit as present for me.  I decided to paint a companion piece of another young woman, hopeful and looking to the future, and used my daughter for the model.    To me, the image symbolized not only the hopes of the young woman for her own life, but also hope in eternal life. About this time I read Isaiah’s promise that the Messiah would “comfort all that mourn…to give unto them beauty for ashes.” To me the phrase “Beauty for Ashes” means hope born of Christ’s atonement and his promise to turn our pain and mourning to joy.

 

 

Img_0005
Megan Conrad   Contours   oil on panel  22" x 30"

 

Img_0017
Kristen Fuentes

 

Img_0018
Lo, This Hath Touched Thy Lips   oil on panel  19" x 23"

Slide02

 

Slide1

Dauntless  oil on panel  24" x 18"

 

 

Img_4177
Jacob's Ladder   oil on canvas  3' x 4'

Slide2

 

Slide1


The Fulfill The Vision exhibit will be up until 2:00 p.m. on Saturday, March 26.

 

 

Posted by svuartprogram
 

Students in the upper division drawing course explore composition, value and subject matter in creating the illusion of

interior personal space.


Img_0538
 
Slide2

Img_0544
Slide2

Slide8

Savagestairs

Slide3

Gallery

Ben

Ben Neff

 

Sandra

Sandra Roberts

 

Sophie

Sophie Kervin

 

Tara

Tara Soressi

 

Zach
Zach Simiskey

Posted by svuartprogram